5.0 out of 5 stars 4 ratings. The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the Venetian School of composers, and was extremely influential in spreading the Venetian style in Italy as well as in Germany. Franco-Flemish composers were skilled in canonic writing, but few were better than Jean Mouton (c. 1459-1522), who was known for his ability to write music of mathematical complexity, especially canons. Giovanni Gabrieli, who died in 1612, was without doubt, the greatest composer of the Italian High Renaissance. Andrea Gabrieli is the uncle of composer Giovanni Gabrieli.. While not much is known about Giovanni's early life, he probably studied with his uncle, the composer Andrea Gabrieli; he may indeed have been brought up by him, as is implied by the dedication to his 1587 book of concerti, in which he described himself as "little less tha… Instrumental Works. Puelle saltanti imperavit mater (Gabrieli, Andrea) Q. Quando penso (Gabrieli, Andrea) Quel dolce suono (Gabrieli, Andrea) R. Ricercar 'Anchor che co'l partire' (Gabrieli, Andrea) Ricercar 1 del primo tono (Gabrieli, Andrea) Ricercar 2 del primo tuono (Gabrieli, Andrea) Ricercar 2 del secondo tono (Gabrieli, Andrea) Ricercar 6 a quatro voci (Gabrieli, Andrea) None [force assignment] Movements/Sections Mov'ts/Sec's: 57 First Pub lication. Along with composing music for some of the greatest Venetian ceremonial occasions, Gabrieli's music often was dedicated to highly important figures. Though very little information about his early life survives, it seems evident that Andrea Gabrieli quickly entered the musical profession. The following 165 pages are in this category, out of 165 total. A caso un giorno mi guidò la sorte (Andrea Gabrieli), A Le guancie di rose, Dialogo à 8 (Andrea Gabrieli), Angelus ad pastores ait a 4 (Andrea Gabrieli), Angelus ad pastores ait a 7 (Andrea Gabrieli), Angelus Domini descendit a 7 (Andrea Gabrieli), Ave Sanctissima Maria a 5 (Andrea Gabrieli), Beatus vir qui inventus est (Andrea Gabrieli), Beatus vir qui non abiit (Andrea Gabrieli), Beatus vir, qui suffert (Andrea Gabrieli), Benedictus Dominus Deus Sabaoth a 8 (Andrea Gabrieli), Bonum est confiteri Domino (Andrea Gabrieli), Cando pinso al turmendo (Andrea Gabrieli), Cantate Domino canticum novum a 5 (Andrea Gabrieli), Caro mea vere est cibus (Andrea Gabrieli), Chiaro sol di virtute / Al chiaro suon d'i dolci accenti (Andrea Gabrieli), Cinto m'havea tra belle e nude braccia (Andrea Gabrieli), Concerti di Andrea et di Giovanni Gabrieli (Andrea and Giovanni Gabrieli), Congratulamini mihi omnes a 8 (Andrea Gabrieli), Del gran Tuonante la sorella e moglie (Andrea Gabrieli), Deus misereatur nostri a 12 (Andrea Gabrieli), Deus qui beatum Marcum a 7 (Andrea Gabrieli), Deus qui beatum Marcum a 8 (Andrea Gabrieli), Deus, Deus meus respice a 10 (Andrea Gabrieli), Il dolce sonno mi promise pace (Andrea Gabrieli), Domine Dominus noster a 5 (Andrea Gabrieli), Domine, ne in furore tuo arguas me (Andrea Gabrieli), Donna per acquetar vostro desire (Andrea Gabrieli), Dunque baciar sì belle e dolce labbia (Andrea Gabrieli), Dunque fia ver, dicea, che mi convegna (Andrea Gabrieli), Dunque sia vero - Dunque il consenti Amor (Andrea Gabrieli), Ecco l'aurora con l'aurata fronte (Andrea Gabrieli), Ecco Vinegia bella (a 12 voci) (Andrea Gabrieli), Egredimini et videte a 8 (Andrea Gabrieli), Ella non sa, se non invan dolersi (Andrea Gabrieli), Emendemus in melius a 6 (Andrea Gabrieli), Exaudi, Deus, orationem meam (Andrea Gabrieli), Expurgate vetus fermentum a 8 (Andrea Gabrieli), Fuggi, speme mia, fuggi (Andrea Gabrieli), Gira lunga stagion, lucente e viva (Andrea Gabrieli), Hodie Christus natus est a 7 (Andrea Gabrieli), In nobil sangue / Amor s’è in lei (Andrea Gabrieli), In tribulatione Dominum invocavi (Andrea Gabrieli), Io mi sento morire (Dialogo à 7) (Andrea Gabrieli), Isti sunt triumphatores a 6 (Andrea Gabrieli), La virtù, la bontà, l’ardente zelo (Andrea Gabrieli), Lasso, amor mi trasporta (Andrea Gabrieli), Laudate Dominum omnes gentes a 5 (Andrea Gabrieli), Laura soave, vita di mia vita (Andrea Gabrieli), Levavi oculos meos in montes (Andrea Gabrieli), Maria stabat ad monumentum a 6 (Andrea Gabrieli), Mentre la greggia errando (Andrea Gabrieli), Nativitas tua Dei genitrix a 7 (Andrea Gabrieli), Nel bel giardin' entrate (Andrea Gabrieli), Neve e Rose ha nel volto (Andrea Gabrieli), O passi sparsi, o pensier vaghi e pronti (Andrea Gabrieli), O soave al mio cor dolce catena (Andrea Gabrieli), Or ch'a noi torna la stagion novella (Andrea Gabrieli), Or che nel suo bel seno (Andrea Gabrieli), Patefactae sunt ianuae coeli (Andrea Gabrieli), Quem vidistis pastores a 8 (Andrea Gabrieli), Rimanti amor in sempiterno oblio (Andrea Gabrieli), Sancta et immaculata a 4 (Andrea Gabrieli), Sancta et immaculata a 5 (Andrea Gabrieli), Sancta Maria succurre miseris a 6 (Andrea Gabrieli), Sassi, Palae, Sabbion, del Adrian lio (Andrea Gabrieli), Sic Deus dilexit mundum a 5 (Andrea Gabrieli), Te Deum Patrem ingenitum (Andrea Gabrieli), Vaghi augelletti, che per valli e monti (Andrea Gabrieli), Vago ucelletto che cantando vai (Andrea Gabrieli), Verba mea auribus percipe (Andrea Gabrieli), La verginella è simil'a la rosa (Andrea Gabrieli), https://www.cpdl.org/wiki/index.php?title=Category:Andrea_Gabrieli_compositions&oldid=253716. 1 (from "Il terzo libro de ricercari"), Ricercar del quinto tono, for organ No. Andrea Gabrieli, organist at St. Mark’s Basilica, visited Lassus in Munich in 1562 and many of Lassus’s works were published in Venice. Read Full Biography. 1555-1612-most important Venitan Composer of the late Renaissance-was an organist at St. Mark's cathedral from 1585 until his death in 1612-studied music with his uncle, Andrea Gabrieli 2, Ricercar del secondo tono, for organ (from "Il terzo libro de ricercari"), Ricercar del sesto tono, for organ (from "Ricercari...libro secondo"), Ricercar del settimo tono, for organ (from "Ricercari...libro secondo"), Ricercar del terzo tono, for organ (from "Ricercari...libro secondo"), Ricercar dell'undecimo tono, for organ (from "Ricercari...libro secondo"), Ricercar sopra "Martin Menoit" a quatro voci, for organ (after Janequin's chanson), Ricercar sopra "Orsus au coup" a quatro voci, for organ (after Crequillon's chanson), Ricercar sopra "Pour ung plaisir," for organ, Ricercar sopra il madrigale detto "Con lei foss'io" a quatro voci, for keyboard, Rimanti, Amor, in sempiterno oblio, madrigal for 5 voices, Sancta Maria, succurre miseris, motet for 6 voices, Saranda volde e plio, madrigal for 4 voices, Sassi, palae, sabion del Adrian lio, madrigal for 5 voices, Sento un rumor ch'al ciel si estolle, madrigal for 8 voices, Sonno diletto e caro, madrigal for 6 voices, Surge formosa mea amica, motet for 5 voices (contrafactum of "Caro dolce ben mio"), Tirsi, che fai così diolente a l'ombra, madrigal for 8 voices, Toccata del decimo tono, for organ (from "Intonationi d'organo..."), Toccata del nono tono, for organ (from "Intonationi d'organo..."), Toccata del quinto tono, for organ ("Toccata del primo tono"), Toccata del sesto tono, for organ (from "Intonationi d'organo..."), Toccata dell'ottavo tono, for organ (from "Intonationi d'organo..."), Toccata sexti toni, for keyboard (attributed), Vaghi Augeletti, che per valli e monti, madrigal for 5 voices, Veggo fra i raggi d'oro, madrigal for 4 voices, Veni, o Iesu mi, motet for 6 voices (contrafactum of "Vieni, Flora gentil"), La verginella è simile alla rosa, madrigal for 3 voices, Vieni, Himeneo, che già sen fugg'il sole, madrigal for 4 voices, Vieni, Himeneo, o felice Himeneo, madrigal for 8 voices, Voi non volete, donna, madrigal for 6 voices, Vorrei mostrar, madonna, madrigal for 4 voices, Vostro fui e sarò mentre ch'io viva, madrigal for 5 voices. bouce rit‟, followed by some Andrea Gabrieli: a 4-part „Ricercar‟ or „Canzona alla francese‟, and a 6-part „Motet‟ which also has a madrigal text! Gabrieli adopted a similar approach in his instrumental music. 1533 in Venice (Italian spelling is Venezia); he did not pass all of his life in Venice; he was in Germany for quite some time, and returned to Italy in 1566. Though very little information about his early life survives, it seems evident that Andrea Gabrieli … Ricercar a 8 - Ricercar del secondo tuono a 4 - Ricercar del settimo tuono a 4 - Ricercar del duodecimo tuono a 4performed by Symposium Musicum He was probably a native of Venice, most likely the parish of S. Geremia. Popular Works: Gabrieli, A. Alla battaglia (3) Ancor che col partire (3) Angelus Domini descendit (2) Cantiam di Dio, cantiamo (2) Canzon alla Francese: Petit Jacquet (6) Canzon ariosa (III/9) (2) Canzon detta "Qui la dira" (2) Canzon sopra 'Qui la dira (4) O magnum mysterium a 8; 37.) This page was last edited on 9 October 2010, at 03:52. Andrea Gabrieli (с. Madrigali et ricercari (a4; 1589) 1 track. Language: Latin Instruments: A cappella . First published: 1576 in Ecclesiasticarum cantionum, no. Almost nothing is known of his life before 1557, when he first tried (unsuccessfully) to become organist at St. Mark's, Venice. These pieces show much influence of his uncle's style in the use of dialogue and echo effects. Ego dixi Domine a 7; 33.) 9.) The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the Venetian School of composers, and was extremely influential in spreading the Venetian style in Italy as well as in Germany. Inclina Domine aurem a 6; 19.) Andrea Gabrieli (Composer), Giovanni Gabrieli (Composer), Gabrieli Consort & Players (Artist), & Format: Audio CD. Details on Gabrieli's early life are sketchy. August 30, 1585) was an Italian composer and organist of the late Renaissance. Though very little information about his early life survives, it seems evident that Andrea Gabrieli … Gabrieli published posthumously in 1587 by Angelo Gardano in Venice. 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