She taught at her old drama school in the early 1990s and, after the death of her husband in 1994, retired to Spain. This inspired the Yorkshire Television series Justice, which ran for three seasons (39 episodes) from 1971 to 1974, and featured her real-life partner, John Stone, as fictional boyfriend Dr Ian Moody. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was queen among villainesses. before completing her training at the Royal Academy of Dramatic Art. By Brittany Brolley / Updated: Feb. 2, 2021 6:14 pm EST. Stone appeared with her in her award winning 1970s television series, Justice, in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. Her body was cremated at Putney Vale Crematorium. In 1938, Lockwood's role as a young London nurse in Carol Reed's film, "Bank Holiday", established her as a star, and the enormous success of her next film, "The Lady Vanishes", opposite Michael Redgrave, gave her international status. Images of the British actress, Margaret Lockwood. While vascular birthmarks like stork bites and strawberry marks are always something a person is born with, and therefore a real-deal birthmark, pigmented spots like moles are a bit more nuanced. "[14], She was offered the role of Bianca in The Magic Bow but disliked the part and turned it down. It's all Marilyn Monroe's fault," singer Kelly Rowland told People. She travelled to Los Angeles and was put to work supporting Shirley Temple in Susannah of the Mounties (1939), set in Canada, opposite Randolph Scott. The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was an unfit mother. October 17, 1937 - 1950 (divorced, 1 child), The Slipper and the Rose: The Story of Cinderella, Karachi, British India [now Karachi, Pakistan]. Rex Harrison was the male star. 17th-century beauty Barbara Worth starts her career of crime by stealing her best friend's bridegroom. This article was most recently revised and updated by, https://www.britannica.com/biography/Margaret-Lockwood, Margaret Lockwood - Student Encyclopedia (Ages 11 and up). In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. You canbe born with one, or you can develop one at a later point in your life. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. "[8] Gaumont increased her contract from three years to six.[10]. From the books you read to the clothes you wear, there are plenty of ways to make a political statement. No weekends or evenings required. She returned with relief to Britain to star in two of Carol Reed's best films, "The Stars Look Down", again with Redgrave, and "Night Train to Munich", opposite Rex Harrison. Lockwood later admitted "I was far from being reconciled to my role of the unpleasant girl and everyone treated me warily. It also helps other women with beauty marks to have an ally with which to identify. Enter your account data and we will send you a link to reset your password. She was survived by her daughter, the actress Julia Lockwood. Grow your brand authentically by sharing brand content with the internets creators. "I like moles. Samuel Pepys, who originally prohibited his wife from wearing one, had a change of heart. She was reunited with her mother on TV in The Royalty (1957-58), as mother and daughter Mollie and Carol running a posh London hotel, and its 1965 sequel, The Flying Swan. "Since 1945 I had been sick of it there had been little or no improvement to me in the films I was being offered. In between playing femmes fatales, she had a popular hit in the 1944 melodrama A Lady Surrenders (1944) as a brilliant but fatally ill pianist and was sympathetic enough as a young girl who is possessed by a ghost in A Place of One's Own (1945). It made her determined to be up on stage herself, flying through the air and fighting the pirates. Margaret Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. [54] She lived her final years in seclusion in Kingston upon Thames, dying on 15 July 1990 at the Cromwell Hospital, Kensington, London, from cirrhosis of the liver, aged 73. Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. England British actress Margaret Lockwood is pictured reading the newspapers as she enjoys breakfast in bed. Lockwood wanted to play the part of Clarissa, but producer Edward Black cast her as the villainous Hesther. Margaret Lockwood made her screen debut in the drama picture Lorna Doone in 1934. [1] In 1932 she appeared at the Theatre Royal, Drury Lane in Cavalcade. Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. Margaret Lockwood died of cirrhosis of the liver in Kensington, London on 15th July, 1990, aged 73. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was a queen among villainesses. For the remaining years of her life, she was a complete recluse at her home in Kingston upon Thames, rejecting all invitations and offers of work. He hopes one day "moles and other individual qualities" will be embraced. When Barbara smothers the godly old servant (Felix Aylmer) whos lingering on after drinking her poison, she was speaking for all mid-40s women who were impatient to dispense with patriarchalcant. That was natural. Switch to the light mode that's kinder on your eyes at day time. Then, in 1972, she married the actor Ernest Clark, best known as the irascible Geoffrey Loftus in Doctor in the House and its TV sequels, and her fellow star in the Ray Cooney farce The Mating Game (Apollo theatre, 1972). [45] Lockwood said Wilcox and his wife Anna Neagle promised from signing the contract "I was never allowed to forget that I was a really bright and dazzling star on their horizon. The Leons separated soon after her birth and were divorced in 1950. She was known for her stunning looks, artistry and versatility. In an interview withRedbook, Ranella Hirsch, a dermatologist and senior medical advisor to Vichy Laboratoires, further warned,"New things on your skin tend to be bad." For this, British Lion put her under contract for 500 a year for the first year, going up to 750 a year for the second year.[3]. As if that weren't cringe-worthy and problematic enough, the use of makeup was reserved for "prostitutes and actresses.". Lockwoods lips and upper chin tense Joan Crawford-style when her more heinous characters covers are blown, but not at the cost of audience empathy. Lockwood so impressed the studio with her performance particularly Black, who became a champion of hers she signed a three-year contract with Gainsborough Pictures in June 1937. Please like & follow for more interesting content. Summary: An interview of Margaret Lockwood conducted 1992 Aug. 27 and Sept. 15, by Robert Brown, for the Archives of American Art. One of those famous faces was Marilyn Monroe. This is the ITV DVD Region 2 DVD release of the Margaret Lockwood films - The Wicked Lady from 1945 and Bank Holiday from 1938. . A year later she married Rupert Leon, a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. Julia was born in Ringwood, Hampshire, when her father, Rupert Leon, a commodities clerk, was serving in the army while her mother continued her film career. She also had another half-brother, John, from her father's first marriage, brought up by his mother in Britain. A visit to Hollywood to appear with Shirley Temple in Susannah of the Mounties and with Douglas Fairbanks, Jnr, in Rulers of the Sea was not at all to her liking. She complained to the head of her studio, J. Arthur Rank, that she was sick of sinning, but paradoxically, as her roles grew nicer, her popularity declined. An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage where she had a success in "Peter Pan", "Pygmalion", "Private Lives", and Agatha Christie's thriller "Spider's Web", which ran for over a year. [citation needed] She was a guest on the BBC radio show Desert Island Discs on 25 April 1951.[53]. Omissions? She appeared in two comedies for Black: Dear Octopus (1943) with Michael Wilding from a play by Dodie Smith, which Lockwood felt was a backward step[25] and Give Us the Moon (1944), with Vic Oliver directed by Val Guest. In 1933, she enrolled at the Royal Academy of Dramatic Art, where she was seen in Leontine Sagan's production of "Hannele" by a leading London agent, Herbert de Leon, who at once signed her as a client and arranged a screen test which impressed the director, Basil Dean, into giving her the second lead in his film, "Lorna Doone" when Dorothy Hyson fell ill. In the 17th and 18th centuries, smallpox was running rampant in Europe. "[48], Lockwood returned to the stage in Spider's Web (1954) by Agatha Christie, expressly written for her. She lived her final years in seclusion in Kingston upon Thames, London. She had a small role in Who's Your Lady Friend? In the postwar years, Lockwoods popularity fell out of favor. Below are some glamorous photos of young Margaret Lockwood from her early life and career. Even though British Parliament wanted to put an end to the faux mole craze, some members eventually came around. The Wicked Lady (1945) Drama - Margaret Lockwood, James Mason and Patricia Roc Classic Movies 177 subscribers Subscribe 18K views 2 years ago A noblewoman begins to lead a dangerous double life. [33] She also appeared in an acclaimed TV production of Pygmalion (1948). What Austin, Texas looked like in the 1970s Through These Fascinating Photos, Rare Historical Photos Of old Mobile, Alabama From Early 20th Century, What El Paso, Texas, looked like at the Turn of the 20th Century, Fascinating Historical Photos of Portland from the 1900s, Stunning Historical Photos Of Old Memphis From 20th Century. She starred in the Royalty (19571958) television series and was a regular on TV anthology shows. Lady barrister Harriet Peterson tackles cases in London. Gilbert later said "It was reasonably successful, but, by then, Margaret had been in several really bad films and her name on a picture was rather counter-productive. Lockwood discusses her upbringing in a Boston area Irish family and her early . In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. A report published by theJournal of the American Academy of Dermatology(via NCBI) highlighted the "disfiguring scars" left in the disease's wake. Yet, even she considered having surgery to get rid of it. Our editors will review what youve submitted and determine whether to revise the article. Lockwood died from cirrhosis of the liver at the age of 73 in London. She likes what she likes, okay? In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. sachets at a time and calling it "my tipple". A vivacious brunette with a beauty spot on her left cheek, she starred in a wide variety of films, notably the wartime thriller Night Train to Munich (1940), the romantic comedy Quiet Wedding (1941), as the husband-stealing murderess in the period melodrama The Man in Grey (1943), Trents Last Case (1952), Cast a Dark Shadow (1955), and as Cinderellas stepmother in The Slipper and the Rose (1976). She had a bit part in the Drury Lane production of "Cavalcade" in 1932, before completing her training at the Royal Academy of Dramatic Art.Her film career began in 1934 with Lorna Doone (1934) and she was already a seasoned performer when Alfred Hitchcock cast her in his thriller, The Lady Vanishes (1938), opposite relative newcomer Michael Redgrave. As Lissa plays, she experiences anguish, regret, and rapture, her pain sometimes indistinguishable from orgasmic ecstasy. Long live the mouches! If so, please share it with your friends and family to help spread the word. Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). In 1969 she starred as barrister Julia Stanford in the TV play Justice is a Woman. But, just what is a beauty mark anyway? The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. 1948 3rd most popular star and 2nd most popular British star in Britain, 1949 5th most popular British star in Britain, This page was last edited on 25 February 2023, at 07:39. 2023 BygonelyPrivacy policyTerms of ServiceContact us. She starred in another series The Flying Swan (1965). ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. A visit to Hollywood to appear with Shirley Temple in "Susannah of the Mounties" and with Douglas Fairbanks Jr in "Rulers of the Sea" was not at all to her liking. Privacy Policy. CURRENT NEEDS: Part time 1-2 days a week 9 AM-3 PM. In the 1960s and 70s she appeared on British television, including a 1965 series The Flying Swan with her daughter Julia. [1] In June 1934 she played Myrtle in House on Fire at the Queen's Theatre, and on 22 August 1934 appeared as Margaret Hamilton in Gertrude Jenning's play Family Affairs when it premiered at the Ambassadors Theatre; Helene Ferber in Repayment at the Arts Theatre in January 1936; Trixie Drew in Henry Bernard's play Miss Smith at the Duke of York's Theatre in July 1936; and back at the Queen's in July 1937 as Ann Harlow in Ann's Lapse. [35], That same year, Lockwood was announced to play Becky Sharp in a film adaptation of Vanity Fair but it was not made. Stone appeared with her in her award winning 1970s television series, "Justice", in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. She is survived by her children with Clark, Nick, Lucy and Katharine, and her son, Tim, from a previous relationship. Search instead in. Built in clientele. Her short film career, finishing with the 1960 comedy No Kidding, was over by the time she was 20. Instead, she calls it her"forever moving mole" and sometimes draws it on to cover a blemish. [13] According to Filmink Lockwood's "speciality [now] was playing a bright young thing who got up to mischief, usually by accident rather than design, and she often got to drive the action. This was even more daring in its depiction of immorality, and the controversy surrounding the film did no harm at the box office. Lockwood studied at the Royal Academy of Dramatic Art, England's leading drama school, and made her film debut in Lorna Doone (1935). She wouldn't have been the only one to fake it, though. Her final stage appearance, as Queen Alexandra in Motherdear, ran for only six weeks at the Ambassadors Theatre in 1980. According toBBC,stars, hearts, and half moons were all popular choices back in the day. Ive been pretty lonely at times.. It was an uphill battle even for those who survived. A free trial, then 4.99/month or 49/year. For the remaining years of her life, she was a complete recluse at her home, in Kingston upon Thames, rejecting all invitations and offers of work. Edwards, before she visits Skefko, Vauxhall and Electrolux and two cinemas - the Odeon in Dunstable Road and the Palace in Mill Street, whose manager, Mr S. Davey, had arranged the tour. [36], Lockwood was in the melodrama Madness of the Heart (1949), but the film was not a particular success. In 1933, Lockwood enrolled at the Royal Academy of Dramatic Art in London, where she was seen by a talent scout and signed to a contract. She was best known for her roles in The Lady Vanishes (1938) and The Wicked Lady (1945) but also enjoyed a successful stage and television career. Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. She was born on September 15, 1916. InBernard KnowlessThe White Unicorn(1947), she andJoan Greenwoodwere cast as women of different social backgrounds a warden at a home for delinquent girls and a troubled teenage mother whose reminiscences reveal that female suffering isendemic. The following year, she appeared at the Scala Theatre in the pantomime in the drama The Babes in the Wood. Before long, mouches made their way into politics. Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. [47], Her next two films for Wilcox were commercial disappointments: Laughing Anne (1953) and Trouble in the Glen (1954). So much so that, in 1650, they created a bill to prevent "the vice of painting, wearing black patches, and immodest dresses of women.". In the 1969 television production Justice is a Woman, she played barrister Julia Stanford. Likewise, if she were to wear one on the right side, she would be showing her support for the Whigs. In 1955, she gave one of her best performances, as a blowsy ex-barmaid, in Cast A Dark Shadow, opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. Margaret Mary Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. In 1975, film director Bryan Forbes persuaded her out of an apparent retirement from feature films to play the role of the Stepmother in her last feature film The Slipper and the Rose. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britain's biggest box-office stars. Margaret Lockwood (1916-1990) was Britain's number one box office star during the war years. The film was shot at Islington studios and was "in the can" after just five weeks in 1937 and released the following year. Anentire faux mole industry was born and a street in Venice, Calle de le Moschete, was named in its honor. She had one last film role, as the stepmother with the sobriquet, wicked, omitted but implied, in Bryan Forbess Cinderella musical The Slipper and the Rose in 1976. Various polls of exhibitors consistently listed Lockwood among the most popular stars of her era: On this Wikipedia the language links are at the top of the page across from the article title. Margaret Mary Day Lockwood, CBE (15 September 1916 15 July 1990), was an English actress. Lockwood married Rupert Leon in 1937 (divorced in 1950). Her first moment on stage came at the age of 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. Used Margie Day briefly as her stage name at the very beginning of her stage career. It was one of the cycle of Gainsborough Melodramas . In 1944, in A Place of Ones Own, she added one further attribute to her armoury: a beauty spot painted high on her left cheek. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. Guaranteed competitive hourly wage average wage is $16-$18 an hour, plus an incentive commission and tips! A good thing about fake moles is that there's zero risk of one turning into skin cancer. Back at Gainsborough, producer Edward Black had planned to pair Lockwood and Redgrave much the same way William Powell and Myrna Loy had been teamed up in the "Thin Man" films in America, but the war intervened and the two were only to appear together in the Carol Reed-directed The Stars Look Down (1940). I used to love her films. The Truth About Beauty Marks. The immense popularity of womens melodramas produced byGainsborough Picturesmade Lime Grove Studios (which became the companys wartime berth after production at Islington Studios was suspended) stardoms epicentre: it was the workplace ofPhyllis Calvert,Stewart Granger,Jean Kent,Margaret Lockwood,James Mason,Michael RennieandPatriciaRoc. Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. The sexual privation suffered by women whose men were fighting overseas contributed to Lockwood and Mason, the fiery adulterous lovers of the 1943 Gainsborough gothic classicThe Man in Grey, replacingGracie FieldsandGeorge Formbyas the countrys top box office stars that year. Hey Friend, Before You Go.. Under Queen Victoria's reign,beauty standards left little room for anything but smooth, white skin. The film inaugurated a series of hothouse melodramas that came to be known as Gainsborough Gothic and had film fans queuing outside cinemas all over Britain. Karen Hearn, an honorary professor of English at University College London, told BBC, "He found them worrying." Streamline your workflow with our best-in-class digital asset management system. In 1948, she made her television debut in the role of Eliza Doolittle in the series Eliza Doolittle. Required fields are marked *. Lockwood had the biggest success of her career to-date with the title role in The Wicked Lady (1945), opposite Mason and Michael Rennie for director Arliss. After what she regarded as her mother's painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughter's performance in "The Wicked Lady", she snapped: "That wasn't acting. When asked about this, he referred to the foul grimace her character Julia Stanford readily expressed in the TV play Justice Is a Woman. In July 1946, Lockwood signed a six-year contract with Rank to make two movies a year. Had Lockwoods Darjeeling-born brunette rivalVivien Leigh, a voracious careerist, focused less on theatre which allowed her five 1940s films only, compared with Lockwoods 19 (and a TV Pygmalion) she would have likely eaten into Lockwoods CV. Lockwood entered films in 1934, and in 1935 she appeared in the film version of Lorna Doone. She was survived by her daughter, the actress Julia Lockwood (ne Margaret Julia Leon, 19412019).

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