"[134] On February 11, 2021, the day prior to the film's premiere on Disney+, Entertainment Weekly held a virtual reunion with the surviving principal cast members. [16] After relocating their production company, Storyline Entertainment, from CBS to Disney Studios,[18] Zadan and Meron re-introduced the project to Houston. [16] Houston arrived at the reading several hours late, by which time some of the actors had grown frustrated and weary. [71], The film's sets were designed by Randy Ser,[12] while art direction was headed by Ed Rubin, who opted to combine a "bright and bold" color palette with "a great deal of subtlety". [17] Cosmopolitan's Alexis Nedd wrote that the film's final cast consisted of "Broadway stars, recording artists, relative unknowns, and bona fide entertainment superstars. [46][47], Jason Alexander was cast as the prince's valet Lionel, an entirely new character created for comic relief. [38] Cinderella has a conversation with the prince in which she explains that a woman should always be treated "like a person. [49], Houston originally hoped that the film would earn a theatrical release. [5] Auditions were held in both Los Angeles and New York. Brandy Norwood, left, and Whitney Houston are part of why "Cinderella" (1997) has withstood the test of time. [109] Harlene Ellin of the Chicago Tribune wrote that, despite its aesthetics and color-blind casting, the film "lacks the requisite charm and spark", concluding that the production "doesn't capture the heart" despite its beauty. [27] Both Polygon and Mashable named 1997's Cinderella the best version of the story,[100][132] while Entertainment Tonight ranked the film the third greatest adaptation of the fairy tale. MPAA G. Running Time 1 hr 14 min. Yang Hormat Dato' Sri Idris bin Md. [52] While Mary, Rodgers' daughter, was initially against using "Falling in Love With Love", she relented once Peters was cast as the Stepmother,[52] feeling confident that the Broadway veteran was capable of "put[ting] a different kind of spin on it. She isn't a filmmaker, particularly not in the same category and Martin McDonagh. They save the original sound while updating it. [9][20] CBS originally intended to air the completed film by the end of the 1994-1995 television season, but the project was continuously delayed. [121] Bill Carter of The New York Times predicted that the success of the broadcast "will mean more musicals for television, probably as early as" 1998. "[16] Similar to the film, the stage adaptation has consistently demonstrated color-blind casting. [47] Meanwhile, the royal family wears different shades of purple, a color often associated with royalty. [82] At the 50th Primetime Emmy Awards in 1998, the film was also nominated for Outstanding Art Direction for a Variety or Music Program, Outstanding Choreography, Outstanding Costume Design for a Variety or Music Program, Outstanding Directing for a Variety or Music Program, Outstanding Hairstyling for a Miniseries, Movie or a Special, and Outstanding Music Direction, ultimately winning one for Outstanding Art Direction for a Variety or Music Program, which was awarded to Julie Kaye Fanton, Edward L. Rubin and Randy Ser. Genres Adventure Drama Family Fantasy Romance. 7 Reviews 10,000+ Ratings. For example, 2017's Beauty and the Beast, 2019's Aladdin and Lion King each surpassed $1 billion in box office earnings. [65] The film was released on DVD on February 4, 2003. Cinderella's stepfamily including the Stepmother tries on the slipper with little success. [15][39] Describing the film as "Short, sweet and blindingly brightly colored", TV Guide film critic Maitland McDonagh wrote that Cinderella is "overall a pleasant introduction to a classic musical, tweaked to catch the attention of contemporary youngsters. [37] "The Sweetest Sounds", a duet Rodgers wrote himself following Hammerstein's death for the musical No Strings (1962), was used to explore the lead couple's initial thoughts and early relationship upon meeting each other in the town square,[20] performing separately until they are united. [36] Montalban enjoyed this version of the prince character because "he isn't just holding out for a pretty girl he's looking for someone who will complete him as a person, and he finds all of those qualities in Cinderella. Cinderella currently has a score of 97% on Rotten Tomatoes. Box office. [citation needed] Peters was nominated for a Satellite Award for Best Performance by an Actress in a Supporting Role in a Mini-Series or Motion Picture Made for Television, while Alexander was nominated for Best Performance by an Actor in a Supporting Role in a Mini-Series or Motion Picture Made for Television. [36] Whoopi Goldberg accepted the role of Queen Constantina because Cinderella reminded her of a period when television specials were "major event[s]" before home video made such programs available and re-watchable at virtually any time, and hoped that the film would re-introduce the tradition of watching it live and "become part of the fabric of our lives again. Cinderella: Dirigido por Robert Iscove. [63] According to A. J. Jacobs of Entertainment Weekly, the film's budget was approximately four-times that of a typical television film. New condition. [113] Rodgers & Hammerstein's Cinderella was nominated for seven Primetime Emmy Awards,[18][114] including Outstanding Variety, Music or Comedy Special. Happily N'Ever After (2006). [50] Disney CEO Michael Eisner introduced the program. [37] Prince Christopher's palace was built on the same location as what had been the yellow brick road from the film The Wizard of Oz (1939), thus the palace's courtyard bricks were painted yellow in homage to the classic film. In 2014, actress Keke Palmer was cast as Cinderella on Broadway, becoming the first Black actress to play the role on Broadway. [4][19] The film has a total of five executive producers: Houston, Chase, Zadan, Meron and David R. With final encouragement from her Fairy Godmother, Cinderella finally decides she will run away from home. The original cast included Brandy and the late Whitney Houston, as well as Whoopi Goldberg as Queen Constatina, Paolo Montalban as Prince Christopher, Victor Garber as King Maximillian, Bernadette . "Cinderella's glass slippers are far too big for Brandy to fill," wrote the . [34] Having grown up watching Caucasian actresses portray Cinderella, Houston felt that 1997 was "a good time" to cast a woman of color as the titular character, claiming the choice to use a multi-cultural cast "was a joint decision" among the producers,[35] who agreed that every "generation [should] have their own 'Cinderella'. [51], Freedman's final teleplay is 11 minutes longer than previous adaptations, in turn offering several opportunities for new songs, some of which the producers felt necessary. Cinderella grows dismayed and wishes to leave when the King and Queen ask her about her background, but her Fairy Godmother encourages her to stay. "[46] Theater director Timothy Sheader found the production "harsh and unmagical". Rodgers & Hammerstein's Cinderella: Musical: Video: $0 : November 7: Cold Around the Heart . ''[20] James also believes Hammerstein would have approved of the color-blind casting, claiming he would have asked why the process took as long as it did. [33] The fact that Cinderella is traditionally depicted as white did not discourage Brandy from pursuing the role. [85] Additionally, the popularity of Cinderella boosted the ratings of ABC's television film Before Women Had Wings, which premiered immediately following the program and consequently earned a rating of 19,[78] retaining much of its viewership from Cinderella's broadcast. [16] The producers refused,[36] insisting that "The whole point of this whole thing was to have a black Cinderella. Synopsis: After her marriage to a wealthy businessman (Alec Baldwin) collapses, New York socialite Jasmine (Cate Blanchett) flees to San Francisco. Check out our "cinderella 1997" selection for the very best in unique or custom, handmade pieces from our shops. (Disney+) Just before "Cinderella" premiered in 1997, major outlets published their critics' disenchanted reviews. [17][19] Zadan explained that, because of her popularity, Houston "had so many other concrete things that she was doing that 'Cinderella' took a back seat". "[16] His efforts apply to both Cinderella and the prince; while Cinderella pines for independence from her stepfamily and actively disagrees with her stepmother's opinions about gender roles in marriage, the prince protests the idea of being married off to simply anyone his parents choose. Piala AFC. [42] Disney asked the Rodgers & Hammerstein Organization to be as open about changes to the musical's score as they had been about the script and cast. "[137] Following its success, Disney considered adapting the fairy tale "Sleeping Beauty" into a musical set in Spain featuring Latin music, but the idea never materialized. [123] They enlisted Cinderella's choreographer Rob Marshall to direct and making the orphans ethnically diverse. This became the highest-selling home video release of any made-for-television film at that time,[81][82] selling one million copies its first week. [122] According to Zadan, Cinderella's success "helped secure a future for musicals in the 'Wonderful World of Disney' slot", whose film company Storyline Entertainment started developing new musicals for the series shortly afterward, including Annie (1999). 17. Its recreation in 1965 starring Lesley Ann . Nov 21, 2022, 2:52 PM UTC jordan 11 low concord boss amp margaritaville hotel in pigeon forge roadrunner financial payments ark industrial forge gfi boho lamp. [89], Fuse broadcast Rodgers & Hammerstein's Cinderella on November 2, 2017 in honor of the film's 20th anniversary,[51] naming the television special A Night Of Magic: 20th Anniversary of Rodgers & Hammerstein's Cinderella. [9][48] Alexander accepted the role despite being paid significantly less than his Seinfeld salary because, in addition to hoping to earn Zadan and Meron's favor for the title role in a potential film adaptation of the musical Sweeney Todd: The Demon Barber of Fleet Street (1979), he hoped that Cinderella would positively impact the future of television musicals. Rodgers & Hammerstein's Cinderella (also known as simply Cinderella)[1] is a 1997 American musical fantasy television film produced by Walt Disney Television, directed by Robert Iscove and written by Robert L. Freedman. See full company information. [99][132] Brandy's performance earned her the titles "the first Cinderella of color", "the first black Cinderella" and "the first African-American princess" by various media publications,[32][98][140][141] while Shondaland.com contributor Kendra James dubbed Brandy "Disney's first black princess", crediting her with proving that "Cinderella could have microbraids" and crowning her the Cinderella of the 1990s. "[4] Houston found the most impressive part of the remake to be "the lessons youngsters can learn about dreams and self-image". "[89], Brandy Norwood reprises her role as Cinderella in the Disney+ film The Pocketwatch, part of the Descendants franchise.[149]. [123] According to Vulture.com entertainment critic Matt Zoller Seitz, both productions "stood out for their lush production values, expert control of tone, and ahead-of-the-curve commitment to diverse casting. [148] Ashley Lee of the Los Angeles Times declared Cinderella "the best example of colorblind casting of a screen musical to date" which "offers a useful template for potential successors", concluding, "the creatives behind Hollywood's current movie-musical boom could learn a thing or two from its clever spin on a classic text. "[44], Rodgers & Hammerstein's Cinderella was the first time the "Cinderella" story was adapted for a racially diverse cast,[4] having been conceived in this format from inception. [16] The Rodgers & Hammerstein Organization allowed the filmmakers an unusual amount of freedom to modify the musical's script, among these changes making Cinderella a more active heroine;[37] Meron credits Freedman with "giv[ing] her a little bit more of a backbone", ultimately developing the character into a more independent woman. Solely determined to bolster their own wealth and social status by marrying the prince, Cinderella's stepfamily leaves for the ball, leaving Cinderella home alone. All of these elements make watching or re-watching the film incredible, but a deeper look reveals a main reason why it was enchanting to begin with: The whole film is refreshingly diverse. One of the best Disney movies from the 90s, 101 Dalmatians live-action is based on the book by Dodie Smith. [22] For the titular role, Houston recommend singer Brandy, a close friend,[20] in her first major film appearance. "[26] One Disney executive would have preferred to have a white Cinderella and black Fairy Godmother and suggested singer-songwriter Jewel for the titular role. [59] To film the "Impossible" musical sequence, Houston rode on a wooden pulley to simulate the effect that she was flying alongside Cinderella's pumpkin carriage. [16] Although he had not written a musical before, Freedman was fond of Warren's version and drawn to the opportunity to work with Zadan and Meron, whose plans to remake Cinderella he had first read about in a Variety article. [20] Performed while they prepare for the ball,[54] the song was offered "a driving, up-tempo arrangement" for Peters. While most reviewers praised the film's costumes, sets and supporting cast, particularly Peters, Alexander and Goldberg, television critics were divided over Brandy and Houston's performances, as well as Disney's more feminist approach to Brandy's character. [118][119] Rodgers & Hammerstein's Cinderella was nominated for three NAACP Image Awards, including Outstanding Television Movie, Mini-Series or Dramatic Special,[citation needed] while both Brandy and Goldberg were nominated for an NAACP Image Award for Outstanding Lead Actress in a Television Movie or Mini-Series. Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother. [20] Freedman was more concerned with writing a film suitable for young girls in the 1990s than writing a multi-cultural film, inspired by stories about his wife being affected by women's representation in films when she was growing up. [42] The filmmakers found this song particularly easy to incorporate. [52], Houston's Fairy Godmother was expanded into a more musical role by having the character preface the film with a downtempo rendition of "Impossible". "[34] Fans have affectionately nicknamed the film "the Brandy Cinderella". Lionel demands that the kitchen be unlocked and searched, and the Prince discovers Cinderella in the courtyard about to run away. Cinderella opera rossini hairy redhead pussy close up sinden light gun setup launchbox. "[37] Rob Marshall choreographed and staged the film's musical numbers,[31][57] which he credits with teaching him how to choreograph dance sequences for motion pictures. [102] Critics have softened towards the film over time,[94][95] which has earned 86% on review aggregate Rotten Tomatoes. future bride. [110] While praising the performances of Houston, Peters and Montalban, Ellin joked that "Cinderella's glass slippers are far too big for Brandy", criticizing her acting while saying that the singer "delivers her lines so timidly and flatly that it's hard to stay focused on the story when Brandy is on the screen", concluding that her co-stars "only makes her weak acting all the more glaring", and causing her to wonder how the film would have turned out had Houston been cast as the lead instead. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. [16] Although they were originally concerned that the organization would dismiss the idea of a multi-cultural cast, they were surprised when the company did not protest whatsoever. Cinderella is a musically-driven bold new take on the traditional story you grew up with. "[104] Leonard also praised the actors' musical performances, particularly Peters' "Falling in Love with Love", but admitted that he prefers the songs used in Disney's 1950 animated adaptation of the fairy tale. [123] Inspired by the success of Cinderella, Zadan and Meron saw remaking the musical as an opportunity to rectify the previous adaptation's errors. "[65] However, the film's budget is one of the lowest among the contemporary Cinderella adaptations. Updated version of the classic Rodgers and Hammerstein musical of the classic fairy-tale, with an all-star, multi-racial cast. Ginsburg. [95] On February 4, 2021, Brandy announced on The View that the film would be released on Disney+ on February 12, 2021. 4. Order of credits adapted from Variety magazine and the British Film Institute:[2][3], Rodgers & Hammerstein's Cinderella was the third screen version of the musical. "[20] The filmmakers also agreed that it would be wasteful to cast Peters without allowing her to sing. [79] Cinderella's producers immediately began researching other musical projects to adapt for the Wonderful World of Disney, with the network originally hoping to produce at least one similar television special per year,[79] announcing that songwriter Stephen Schwartz had already begun writing a musical adaptation of Pinocchio. [49] Praising its sets, costumes, choreography and script, Paller concluded "everything about the TV play worked", predicting that both young and adult audiences will find the program memorable. [16] James concluded, "for a generation of young children of color, 'Cinderella' became an iconic memory of their childhoods, of seeing themselves in a black princess who could lock eyes and fall in love with a Filipino prince. [20] The filmmakers wanted to prove that Stepmother is not simply "an evil harridan" but rather a "product of bitter experience",[20] for which Freedman himself suggested "Falling in Love With Love". [62], The film also won an Art Directors Guild Award for Excellence in Production Design Awards Show, Variety, Music, or Non-Fiction Program,[116] awarded to Ser. [120], ABC began discussing the possibility of Disney producing more musical films for the network shortly after Cinderella's premiere,[83] originally commissioning its producers to develop similar musicals to broadcast every November. [37] Meron maintains that these adjustments helped the composition resemble a "Rodgers and Hammerstein song that sounds like a new Whitney Houston record". [37] Iscove identified the film's time period as "nouveau into deco," while also incorporating influences from the work of Gustav Klimt. At the ball, she falls for handsome Prince Christopher (Paolo Montalban . ", "Ranking The 10 Actresses Who Played Cinderella Like Royalty", "Brandy Shares Her Fondest #BlackGirlMagic Moments", "Why Rodgers & Hammerstein's 'Cinderella' Is Still Relevant In 2017", https://en.wikipedia.org/w/index.php?title=Cinderella_(1997_film)&oldid=1142127041, This page was last edited on 28 February 2023, at 17:27. [108] Television critic Howard Rosenberg, in a review for the Los Angeles Times, described Brandy's singing as superior to her acting, resulting in "a tender, fresh Cinderella". [49] Most of the film's cast Brandy, Houston, Cox, Garber, Desselle and Montalban was present; Goldberg and Alexander were unable to attend. Con Brandy Norwood, Bernadette Peters, Veanne Cox, Natalie Desselle Reid. Semenjak itu beliau telah terlibat dalam pelbagai filem, melakonkan pelbagai watak. Distributor Walt Disney Studios Motion Pictures. [12] Music producers Chris Montan and Arif Mardin were interested in combining "Broadway legit with Hollywood pop",[12] re-arranging the musical's original orchestration in favor of achieving a more contemporary sound by updating its rhythm and beats. "[37] Goldberg found the film's colorful cast to be reflective of "who we are", describing it as "more normal" than all-Black or all-white casts. [91] 1.5 million viewers watched. [94][99][131] The Daily Telegraph deemed the 1997 adaptation "The final of the trio of classic Cinderella remakes". [103], Praising its score and faithfulness to the source material, Eileen Fitzpatrick of Billboard called the film a "sure to please" remake while lauding Brandy's performance, joking that the singer "slips into the Rodgers and Hammerstein Broadway-like score as easily as Cinderella fits into the glass slipper". It is a remake of the Rodgers and Hammerstein's television movie musical, and the only one of the three versions to be shot as a film. [110] The Oxford Handbook of The American Musical editor Raymond Knapp believes that Brandy's sitcom experience negatively affected her acting, writing that she often overreacts and delivers lines "as if they were punch lines rather than emotionally generated phrases. . "[29] Chase hoped that the film mirroring an evolving society "will touch every child and the child in every adult",[19] encouraging "children of all colors [to] dream. [23] Brandy had been starring on the sitcom Moesha at the time but was still relatively new to television audiences, despite her success as a recording artist. $182 million [2] Cinderella is a 1950 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. The film was directed by Wilfred Jackson, Hamilton Luske, and Clyde Geronimi. Widest Release 3,848 . [79] Rodgers and Hammerstein's Cinderella was released on VHS February 10, 1998, a mere 101 days after premiere. Despite this, Cinderella proved a major ratings success, originally airing to 60 million viewers and establishing itself as the most-watched television musical in decades, earning ABC its highest Sunday-night ratings in 10 years. I love the fact that millions of children are going to hear her sing 'I can be whatever I want to be.' #9. [17] Houston was retained as an executive producer, alongside Chase. [80] The broadcast attracted a particularly high number of younger audience members, including children, teenagers and young adults, in turn making Cinderella the television season's most popular family show. The film made $542 million worldwide, Branagh's biggest box office haul to date as a director. [27] Principal photography began on June 23, 1997 and was completed over a 28-day period,[13][17][60][61] primarily on stages 22 and 26 at Sony Picture Studios in Culver City, California,[35] which had been the location of MGM Studios during what is now revered as "the golden age of the movie musical. Using all the gifts I've been given as an advocate, philanthropist, photographer, and author, I bring more than twenty years of leadership, fiscal accountability, stewardship, communication, and . "[25] Ashley Rey, a writer for Bustle, opined that the film "helped show the world that black and brown faces should have just as much of a presence in fairytale land as white faces do. By the time the film was greenlit by Disney for ABC, Houston felt that she had outgrown the title role, which she offered to Brandy instead. [9] Hirschhorn interpreted the film's success as an indication that "there is a huge family audience out there for quality programming," expressing interest in eventually "fill[ing] in the ground between feature animated musicals and Broadway". [47] In order to give Cinderella's ballgown a "magical look", Mirojnick combined blue and white detailing into the dress, in addition to incorporating a peplum, a design element that had not been used in previous versions of the gown. "[49] According to Paller, the screening resembled a Broadway tryout more than a film preview since the audience reportedly applauded at the end of every song. "[25] Tesema credits its ethnic diversity with making the film as "enchanting" as it is, continuing that the production "invites you to accept these [characters' races] as just the way they are for a little over an hour and it's a beautiful phenomenon". That in stories, there are no constraints; the only limit is your imagination. These behind the scenes facts about "Cinderella" (1997) will make you want to rewatch it even more. [19][31] Montan, who oversees most of the music for Disney's animated films, had been interested in crossing over into live-action for several years and identified Cinderella as one of the first opportunities in which he was allowed to do so. TV Shows. [70] However, the actress insisted that the film's queen should wear real jewelry instead and personally contacted jeweler Harry Winston to lend the production millions of dollars worth of jewels,[36] which ultimately included a 70-carat diamond ring and a necklace worth $9 million and $2.5 million, respectively. [70] Winston supplied the set with three armed guards to ensure that the jewelry remained protected at all times and was safely returned at the end of filming. [19][24][25] Houston believed that Brandy possessed the energy and "wonder" to play Cinderella convincingly, admitting that their fictional relationship as godmother and goddaughter translates "well on-screen because it starts from real life";[4] when Houston telephoned Brandy to offer her the role, she introduced herself as her fairy godmother. [30][31], Brandy likened being hand-selected for Cinderella by a performer she idolizes to a real-life fairy tale,[32] accepting the role because she already had successful singing and acting careers, in addition to relating to the main character in several ways. [16] Instead of making each character more modern, Zadan opted to "contemporize the qualities of the characters" instead. [117] Freedman's teleplay was nominated for a Writers Guild of America Award for Best Children's Script. [92], Shortly after the film's premiere, audiences soon began demanding a swift home video release, which the studio soon began bringing to fruition. [9][62] Surprisingly, 70 percent of Cinderella's total viewership that evening consisted of females under the age of 18,[15][79] specifically ages two to 11. [36] According to Peters, the song demonstrates her character's disappointment in her own life, exploring why she has grown so embittered and jealous of Cinderella. When Christopher recognizes Cinderella from the marketplace, he tries the slipper on her foot, and it fits perfectly. "[12] Towards the end of filming, the producers realized that they did not have enough money to pay for extras and additional costs, and Disney refused to loan any more money to the production. "[41] While lauding Brandy and Montalban's efforts, James described the film's feminist re-writes as "clumsy" and accused it of wasting Houston's talent. [21] Although the stage musical Annie had already been adapted as a film in 1982, the film was considered to be a critical and commercial failure.

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