. Whiteley remained in Europe for the next decade, exhibiting his work regularly in group exhibitions in London, Paris, Amsterdam and Berlin and establishing an international reputation. AU $100.00. They had borrowed the money, using their car as collateral. 174-195, Oxford, 2001, 190 (colour illus.). Sandra McGrath., The Australian, 'The making of an authentic genius', Sydney, 24 Jan 1977, 8 (illus.). This article appears in 'The Arts' section of the newspaper. ), 16 (colour illus.). Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. Inspired principally by Matisse, but also by his house at Lavender Bay on Sydney Harbour's north shore, he created a series of large scale paintings of expansive interiors and views evoking the marine beauty of the harbour. ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. 8 in education pack. Alchemy is the mythical ancient process of turning ordinary compounds into gold. unknown author., The Australian, 'A buzzing, excited pitch', Sydney, 24 Jan 1977, 8. unknown author., The West Australian, 'Controversy likely over art winner', Perth, 22 Jan 1977, (illus.). Whiteley's daughter Arkie is photographed by Alan Pryke standing before his painting titled `Self portrait in the Studio'. unknown author., The Canberra times, 'Sydney artist Brett Whiteley wins Archibald Prize', Ainslie, 22 Jan 1977, (illus.). Weight photographed Whiteley throughout the 1970s. High quality Art Print. Elizabeth Fortescue, Daily telegraph mirror, 'Regarding Whiteley', pg. Elwyn Lynn., The Australian, 'A life of eternal struggle'; 'Golden boy's genius worthy of adulation', Sydney, 17 Jun 1992, 1, 16 (illus.). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. Brett Whitely (7 April 1939 - 15 June 1992) Look closely at the work and find the signs and symbols Whiteley uses to represent himself as an artist. are Butcher Bird with Baudelaire's Eyes of 1972 in pen, ink, gouache and collage, and the . 454-457, St Leonards, Mar 2003-May 2003, 455 (colour illus.). Brett Whiteley Self Portrait In The Studio Framed Print . This article was edited by Sally White. . 30.5 x 25.5 cm Jane Fraser., The Australian, 'Tribute to Whiteley looks back with love', Sydney, 07 Jul 1992, 3 (illus.). Summer at Carcoar Brett Whiteley 1977. Brett Whiteley AO (1939 - 1992) Born 7 April 1939 Sydney, New South Wales Died 15 June 1992 (aged 53) Thirroul, New South Wales Education Julian Ashton Art School Known for Visual arts Movement Avant-garde Awards: Biennale de Paris - International Prize for Young Artists 1962 Archibald Prize 1976 Self Portrait in the Studio, 1978 Gift of Patrick Corrigan AM 2004. 15, Sydney, 29 Jun 1997, 15 (illus.). Whiteley discussing his paintings at home in Sydney., Age, 'Portrait of the artist as a winner', Melbourne, 25 Jan 1977, 2. Through the 1960s he exhibited around the world as well as in Australia before the family returned to live in Lavender Bay on Sydney Harbour. Donated through. 0 bids Ending Today at 22:53 AEDST 19h 16m Local pickup. Terry Ingram., The Australian financial review, 'Market may see "secret" paintings', Sydney, 14 May 1993, 7 (illus.). Whiteley looks out at us directly, with none of the emotional address of his early Van Gogh style portrait, none of the mock decadence of 1976, or the drug-fuelled angst of 1978. card no. Get the best deals on Brett Whiteley Art Prints. ), 145 (colour illus.). ), 135 (colour illus.). AU $100.00. Mervyn Horton (Editor), Art and Australia [vol. The absorbing detail of the first painting has disappeared, as the artist withdraws into his own head. It took a great deal of his time and effort, taking about a year of full-time work. Archibald, Wynne & Sulman Prizes for 1976, Art Gallery of New South Wales, Sydney, 22 Jan 1977-27 Feb 1977. However Marlborough-Gerson, his gallery, refused to show the work, and he was so distraught that he decided to leave New York, and he 'fled' to Fiji. One could be cynical about these additions, seeing them as pictorial short cuts that saved a lot of time and effort, but its entirely plausible Whiteley was motivated solely by inner necessity or at least, his own, idiosyncratic version of the concept. Related research topic ideas. Purchased 1977 Wendy Whiteley, Need caption . Image of David Williamson standing in front of 'The balcony 2'. He believed he had a gift he needed to share with everyone but couldnt escape his habitual self-centredness. The Self-portrait of 1977 represents a far less theatrical attempt at self-reflection. In 1959 he won an art scholarship sponsored by the Italian government and judged by Russell Drysdale. Jonathan Cooper (Editor), The Art Gallery of New South Wales Bulletin, 'Big Blue', pg. This article appeared in 'The Arts' section, and Dr. Keeney discusses problems artists have when painting their own hands. Donated through the Australian Government's Cultural Gifts Program. Deborah Edwards, Two centuries of Australian painting: a selection from the Art Gallery of New South Wales, 'Introduction', pg. fig.no. Place yourself in your favourite room. The balcony 2 Brett Whiteley 1975 116.1981. Whiteley's tiny mirror self-portrait also reflects the influence of Eastern art in his portrayal of man as merely part of a larger landscape. Their only child, daughter Arkie Whiteley, was born in London in 1964. Contemporary Art Quilter Pat Pauly's random thoughts and excursions made public. . 44-45, Sydney, Jun 2012, 45 (colour illus.). This appeared in the `Arts' section of `The Australian Supplement'. Robert Hughes, art critic for 'Time' magazine was quoted several times throughout this article. Daniel Thomas., The Age, 'Desperate Beauty', Melbourne, 20 Jul 1996, 7 (illus.). [26], In 2017, a feature-length biographical documentary about Whiteley was released in Australian cinemas. It was written with unprecedented behind-the-scenes access, and illustrated with classic Brett Whiteley artworks, rare notebook sketches and candid family photographs. This articles includes an anecdote by Stuart Purves, Australian art dealer, of Whiteley and his Archibald prize winning painting. 9-13, Cammeray, (1995-1996), 9-13. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. Bill Gregory, Art and Australia (Vol. It was these abstract works which led to him being recognised as an artist, at a time when many other Australian artists were exhibiting in London, but from 1963 he moved away from abstraction towards figuration. Brett Whiteley AO (19391992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. ), 257 (colour illus., detail), 302. One image which uses van Gogh's style in a unique way is The night caf (197172). The Hotel Chelsea displayed several of Whiteley's paintings from the time he lived there, including Portrait of New York which was hung behind the reception desk.[7]. In this clip from the 1965 documentary 'The Australian Londoners', Brett Whitele. Telephone (02) 9225 1734 or 0414 437 588. He sometimes took more than his body could handle, and had to be admitted to hospital for alcohol poisoning twice. Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, In front of 'Art, life and the other thing', 1978, Brett Whiteley, 'Self portrait after three bottles of wine', 1971, Art Gallery of New South Wales. Brett Whiteley, AO was an Australian artist. See opening hours He won all three prizes in 1978 (the first artist to do so) and the Wynne a third time in 1984. The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. 15 Jun 1992. See all 85 works. Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. A detail of Whiteley's self portrait is accompanied with a photograph of the artist. Barry Pearce, Head Curator of Australian Art, Art Gallery of New South Wales said: 'this is an opportunity to bring together a selection of works influenced by, or in tune with, a special Asian aesthetic that began to infiltrate Australian visual culture during the 1960s, in particular the brushwork of Chinese and Japanese calligraphy. This article is associated with "Melba". Brett Whiteley - Portrait 2, 1975. photographer: Greg Weight. Shown in 22 exhibitions. He was the youngest living artist to have work purchased by the Tate, a record that still stands. How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? It shows Brett Whiteley looking at himself intently in the mirror and recording exactly what he sees. The competitions are run annually, with the award ceremonies being held at the Art Gallery of New South Wales. Open daily 2-4, Sydney, 2001, 8. WikiZero zgr Ansiklopedi - Wikipedia Okumann En Kolay Yolu For further information please contact NPG Copyright. Donald Richardson, Art & Design in Australia, South Yarra, 1995, 15, 60, 80, 83, 137, 140, 145, 163, 243.. Peter Ross, Let's face it: the history of the Archibald Prize, Chapter 4: Into the 1970s, pg. Expressive, lively and playful, Brett Whiteleys sketches and drawings not only provided the foundations for his paintings, sculptures and prints, they also demonstrate the joy of capturing a moment on paper, indulging in an idea or creative concept. The Brett Whiteley Retrospective', pg. Charles Green, Peripheral vision: Contemporary Australian art 1970-94, Drummoyne, 1995, 7. This article refers to Whiteley winning both the Archibald and Sulman prizes in 1977. Consider the location, size and functions. He started drawing at a very early age. Museum of Applied Arts and Sciences, Ken Done: The Art of Design, Sydney, 1994, 32 (illus.). Imagine an ideal studio space that would help you to create art. The room is a veritable salon hang of the artists sculptures and drawings. Yet he would survive for another 14 years, fatally succumbing to his drug addiction in a motel room at Thirroul on the south coast of New South Wales in 1992. [18], In 1999, Whiteley's painting The Jacaranda tree (1977), which had won the Wynne Prize, sold for A$1,982,000,[19] a record for a modern Australian painter at that time. 9 (verso) in education pack. In his younger years he was sent to boarding school in Bathurst and also Scots Collage in Sydney. . Reading from left to right, it begins with an exploding sun from a portrait of Yukio Mishima that Whiteley had started but never completed. [citation needed], In 1967 Whiteley won a Harkness Fellowship Scholarship to study and work in New York. He made several attempts to dry out and get off drugs completely, all ultimately unsuccessful. The resulting work was called The American dream, an enormous work that used painting and collage and anything else he could find on the 18 wooden panels. Year. The National Portrait Gallery respects the artistic and intellectual property rights of others. 34, Sydney, 17 Jun 1992, 34. unknown author., The Sydney Morning Herald, 'Mirror image a winner for artist Whiteley', Sydney, 22 Jan 1977, (illus.). signed lower right: brett whiteley. Birds and heroes people Brett Whiteley's art. 47-49, Sydney, Nov 2008, 47 (colour illus.). His second Archibald prize, Art, Life and the other thing, shows his willingness to experiment with different media such as photography and collage. Do you feel you are watching the subject or is the subject watching you? Melissa Phegan., Daily telegraph mirror, 'The passion and pain of Brett Whiteley', Sydney, 21 Jul 1992, (illus.). 13: Brett Whiteley 'Self portrait in the studio' 1976. Self portrait in the studio 1976 Like many other 36. The Australian artist is often celebrated for his painting but all his works had drawing at their core. a portrait within the portrait, and the face of the artist is rendered in strong detail in the reflection of a hand-held mirror. 201-202, North Ryde, 2010, 202 (colour illus.). Laurie Hergenhan (Editor), The Australian Short Story: A Collection 1890s - 1990s, St. Lucia, 1986, cover page (colour illus.). David Christian, 'At Lintas advertising agency, Sydney', c1956. He died following an overdose of heroin in a motel in Thirroul, NSW in the winter of 1992. List of works. Andrew Sayers, To look within: self portraits in Australia, 'The artist's self-portrait in Australia', pg. (Bibliographic reference no. 1924 Miss Collins by W B McInnes. Geraldine Pascall., The Australian, 'Whiteley's arts double; Judges' daring matches entries', Sydney, 22 Jan 1977, (illus.). Closed Good Friday & Christmas day Returning to Sydney in 1956, he starting working as a commercial artist in the studio of the Lintas Advertising Agency in Sydney, began life-drawing classes at the Julian Ashton Art School and occasionally joined John Santrys sketch club, through which he came to know the Australian landscape painter Lloyd Rees, who was a strong influence. This article analyses art prizes and their judges, and this year's entries in the Archibald, Sulman, and Wynn competition. The elongated centre image of Whiteley references the uproar over William Dobells unconventional Archibald-winning portrait of Joshua Smith of 1943. Whiteley's self portrait is compared with Velaquez's of 1656, and Manet's of 1879. Brett Whiteley 1975 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art - fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. Joseph Brown Gallery, Melbourne, 1977. ), 24. . 'Brett Whiteley 1975. Jill Sykes, Look, 'Members events', pg. morning, Available for everyone, funded by readers. A day at Bondi Brett Whiteley . 1928 Dr Alexander Leeper by John Longstaff. Whiteley became active in the great peace movements of the 1960s, with the protests against America's involvement in the war in Vietnam. [4] He painted Woman in bath (1963)[5] as part of a series of works he was doing of bathroom pictures. plate no. (age29in1975), Brett Whiteley Martin Terry, Masterpieces of Australian Painting, 'Brett Whiteley b.Sydney 1939', pg. 15 Jun 1992. The painting which was finally produced was made of a fantastic array of elements, including collage, photography and even flashing lights, with a total length of nearly 22 metres. Michaela Boland., The Weekend Australian, 'Whiteley's ex-wife ready to fight forgeries', Canberra, 06 Nov 2010-07 Nov 2010, (colour illus.). 8-14, Sydney, 1986, 14, 42 (colour illus.). On weekends Whiteley painted around the New South Wales country towns of Bathurst, Hill End and Sofala, producing works such as Sofala 1958. Born in Sydney, Whiteley was sent to boarding school in Bathurst in 1948. It started with a peaceful, dreamlike, serene ocean scene on one side, that worked its way to destruction and chaos in a mass of lighting, red colours and explosions on the other side. Difficult pleasure is how he described painting, or creating art stating, "Painting is an argument between what it looks like and what it means. 26, Sydney, Jun 2014, 26 (colour illus.). (1939-1992 ) He won the Art Gallery of NSW Archibald, Wynne and Sulman prizes several times, and his artistic career was bolstered by his celebrity status in Australia and overseas. Geraldine Pascall., The Australian, 'All the makings of a lovely brawl', Sydney, 21 Jan 1977, (illus.). Self Portrait in Studio Brett Whiteley 1976. Brett Whiteley self-portrait, Remembering Lao Tse (Shaving off a Second), 1967 [image link from artquotes.net] . [6] His first impression of New York was shown in the painting First sensation of New York City, which showed streets with fast moving vehicles, street signs, hot dog vendors, and tall buildings. This long oil and ink self-portrait incorporates fluid lines building to a sense of rapture, intoxication and playfulness. In July 2016, Text Publishing published Whiteley's biography, titled Brett Whiteley: Art, Life and the Other Thing. Brett Whiteley: List of works - All Artworks by Date 110. 7-106, Sydney, 1994, 80 (colour illus. He then turned to series of paintings of waves, interiors, the harbour, and coastal landscapes. 87-118, Sydney, 1991, 115 (colour illus.). In London he excited art dealers and fell under the influence of painters such as Francis Bacon. Similar to Brett Whiteley's other major paintings of this period, 'Self-portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called 'the ecstasy-like effect of Ultramarine blue'. Richard Cotter, Change and continuity; 20th Century Australian History, South Yarra, 1998, 177 (colour illus.). Jill Sykes, Look, Barry Pearces next book-call it segueing with intent, pg. Around him at the Hotel Chelsea, other artists and musicians took heroin, which Whiteley did not take at that time. The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. 6-7, Melbourne . The artist's face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger . Signed and dated upper c. verso, black fibre-tipped pen "/ brett whiteley/ 1975-76/ ". Born: Longueville, Sydney, New South Wales, Australia 07 Apr 1939, Died: Thirroul, Wollongong, New South Wales, Australia 15 Jun 1992, Brett Whiteley in North Sydney house, date unknown, by Robert Walker Estate of Robert Walker. It was a daring, overt reference to a drug habit that many of Whiteleys admirers expected to cut short his career. The sculpture depicted on the right and others in the . Were not looking at a would-be genius or a sinful penitent. In 1976 he won both the Archibald Prize for portraiture and the Sulman Prize for genre painting and, the following year, the Wynne Prize for landscape. His work was not always being praised by critics, although its market value continued to climb. 71-89, Sydney, 1984, 73 (colour illus). After leaving school in 1956 at the age of 17, Whiteley worked in Sydney for the advertising agency Lintas. [3] Throughout 1956 to 1959 at the National Art School in East Sydney, Whiteley attended drawing classes. The second painting has a completely different tone. 45. While in London, Whiteley painted works in several different series: bathing, the zoo and the Christies.

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